illustrated in Example 25. Walker adds that although
the extreme contrast of character of the two subjects could hardly be greater,
the second sounds inevitable because of this strong thematic link.
Example 24:
Derivation of the first subject
Example 25: The use
of motif x (Example 24) in the second subject
Not mentioned in the previous chapter is yet another
connection between the first subject and the final bars of the exposition.
Example 26(b) shows the melodic outline of bar 99 near the end of the
exposition; when inverted, it is an exact replica of the first four notes of
the first subject:
