that the triplet-metre crotchet motion in the former (Example 34(b)) is similar
to the triplets in the latter (Example 34(a)).
The arrows indicate intervallic similarities. In addition, Leiken notes that
the predominance of repeated octaves and chords in both movements reinforces
this similarity. According to Leiken, the Scherzo's growth out of the closing
section of the first movement is one possible reason for explaining the absence
of a tempo indication for the Scherzo.
Example 34: Link
between the Scherzo and the first movement
Leiken also identifies a further thematic link between the
first movement and the Scherzo: the melodic line rising from the first to the
fifth scale degree. This is shown in Example 35, where the circled notes make
up the interval of the fifth:
