For
the past five years I have followed with interest and admiration the
growth and maturation of Jonathan Oshry's career as a concert pianist.
Particularly memorable during that period were his brilliant performances
of the Rachmaninoff 3rd Piano Concerto and his competitive triumphs
with the works of Chopin, Liszt and Ravel. His obvious talent, combined
with the modesty and charm of his stage personality, led MTN to engage
him at short notice at the beginning of August to take over an engagement
postponed by leading American violinist, Joshua Bell.
The
brief offered to Jonathan was exceptionally demanding in several respects.
First, he had intended coming to South Africa for a vacation and MTN's
series of three concerts in three different cities had been scheduled
to take place exactly three weeks after his arrival. Secondly, for purposes
of popular appeal and commercial viability, the programme MTN required
of him to play comprised a selection of extremely challenging pieces,
only half of which featured in his existing repertoire. Thirdly, the
contract included a recording session of the programme for the release
of a compact disc.
What
impressed MTN was not only Jonathan's mature, no-nonsense willingness
to learn and play from memory in the space of three weeks, complex works
not in his standard repertoire, but his readiness to undertake a punishing
schedule of playing them in three different cities in the space of 7
days which included the studio recording at the SABC of a 74-minute
compact disc.
Jonathan's
exceptional intellectual abilities, self-discipline, industry and musicality
were clearly evident from his ability to deliver what he had undertaken.
While piano recitals in South Africa currently attract audiences of
no more than two hundred, Jonathan played to houses of 780 in Johannesburg,
480 in Stellenbosch and 680 in Pretoria. Wonderful as this exposure
may have been for MTN, it placed unusual pressure on the young pianist,
who acquitted himself so well of the challenge that he was not only
required to complement a long programme with encores at all the venues,
but received two standing ovations from a discerning audience in Stellenbosch
where many of those present were attached to the Conservatoire of Music
in a professional or student capacity.
When
it came to recording the 74-minute programme, Jonathan undertook to
complete in one day a programme for which any other pianist would have
required at least three days. In doing so he demonstrated not only immense
powers of intellect and concentration, but extraordinary physical reserves,
self-discipline and a capacity to exceed the norms of human endurance
and delivery. He followed this up with a diligent analysis of the recorded
works and played a major role in editing them to the standards of perfection
befitting a pianist of his calibre.
MTN
has been most impressed with Jonathan's gift of intellect, his rich
resources of natural talent and his ability to blend these through commitment,
goal orientation and hard work into a formidable catalogue of versatilities.
Jonathan's
personality traits reflect ingenuousness, warmth, charm and integrity.
He is extremely modest about his musical talents and readily endears
himself to audiences with a demeanour that is non-theatrical and essentially
modest. Off the stage he relates extremely well among his peer group
and is eminently comfortable interacting with people many years his
senior.
MTN
is delighted to have met Jonathan. We feel privileged to have been able
to engage him and are richly rewarded by the way in which he responded
to the terms of his contract with us. He was a fitting replacement for
Joshua Bell and has captivated the hearts and minds of many South Africans.
JACQUES
SELLSCHOP
GROUP EXECUTIVE: CORPORATE RELATIONS
2000
September 07
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